Upon discovering the new single from Yvette Young (via Instagram of all places), I was immediately reminded of Sophie And Peter Johnson. The breezy sophistipop certainly merits easy comparisons. Then I realized that Young did vocals for Brothertiger’s mesmerizing cover of Sophie and Peter Johnson’s “Torn Open.”
Some of my fondest memories are of times at the Disney World theme park. In fact, some of the first memories I’ve retained are from my first trip to the amusement park. I was four, and sitting in between my parents in a car on Big Thunder Mountain Railroad, filled with a mixture of excitement, fear and familial comfort. I also remember the thrill of going on Space Mountain over and over again later at night as a teenager, the unfettered access to the ride that was so elusive earlier in the day becoming manifest. I can’t forget the luxurious dining experiences my wife and I had on our honeymoon, the kind of which we continue to talk and joke about. I still get a twinge of panic when I think about buying several Lego Star Wars sets and then almost feeling them slip out from underneath my legs on the lurching, fast-paced Aerosmith Rock ’n’ Roller Coaster.
I had been reading a lot of buzz around the Indianapolis band, Wishy, and their seamless blend of shoegaze and indie pop lately. Their debut album Triple Seven was stashed in my queue for later listening. Thursday morning, I browsed through the bands playing in clubs downtown for the free Day Parties, a staple of the annual Hopscotch Music Festival. The schedule app revealed Wishy was playing at a fairly small venue later in the afternoon. I quickly cranked up the streaming and fast-tracked listening to Triple Seven with just enough time to garner an appreciation for the recording before my trek downtown to see them play.
Wishy stays true to their description: “Wishy was born as a kaleidoscope of alternative music’s semi-recent history, with traces of shoegaze, grunge and power-pop swirling together.” When I shared this assessment with my son, he remarked that was how most indie bands today could be described. I’m wondering when my 18-yr.-old became so wizened and cynical, but I’m also not sure he’s wrong. For my part, the description reminded me of a band like Hotline TNT. Indeed, at the Wishy show, I spotted someone wearing a Hotline TNT shirt.
I’m eager to check out the Devo Tiny Desk Concert, which draws me in the same way the Cypress Hill one did. There is some incongruity there, and though it’s difficult to picture, it could turn out to be interesting (like Cypress Hill).
The new anti-toxicity feature on Bluesky that allows a user to detach their original post from a quote post is ingenious. I can’t believe no one has shipped anything like this until now. In hindsight, it seems obvious.
I loved the “Pack Lunch, Drop Kids Off, Skate,Work” short photo essay from the NYT (gift article). The women who were either returning to skateboarding or picking it up afresh in their 40s were inspiring. Having a mini ramp in my my house was always a secret dream of mine (and one that will never come to fruition).
While I think the journaling addition to HEY calendar looks very inviting, the idea of storing something as important as a journal in a proprietary format that will be inaccessible if you cancel your account, the company drops the feature or goes out of business, seems like a very bad idea.