W. David Marx writes on his blog Culture about 10,000 Maniacs and the earnest progressivism of the early alternative music culture.
Certainly 10,000 Maniacs were a bit over-the-top, but they fit seamlessly in the general aesthetic of “alternative” culture. Progressivism was cool in the 1980s. Merchant worked at a health food store, and before joining the band, considered a career in special-needs education. She was the one who pushed REM’s Michael Stipe to lurch towards more political content. These were the Reagan-Bush years, and artists resisted by drawing attention to the social ills that conservatives didn’t care about.
He contrasts that sort of authentic hope for change with today’s music, which has a very cynical live for the moment ethos. “Let us eat and drink, for tomorrow we die.”
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